The Making Of Our Music Video
In this post, I am going to discuss the decisions of the editing process, and the reasons behind why I used certain effects and transitions.
Why Final Cut Pro?
Final Cut Pro Logo |
Special Effects and filters
the blade tool allowed us to separate a whole clip into sections, which allowed us to create special effects and transitions for certain parts of the music video, without having the whole clip being changed. This also meant that we could cut to the beat effectively, as well as creating effects that match the tempo of the song. For example, when the bass dropped near the start, the blade tool made it particularly easy for me to create a wind blur only for the part where the beat dropped. I wanted to do this, as it seems as if the bass has created a shake that is visible on screen for the spectators, and also creates a visceral effect for the viewer, making the video seem more real. This effect is called a "Bass Shake". I Did this by going to Video filters, then selecting Wind Blur, and increasing the radius of the effect to 31.An example of Bass Shake |
I also wanted to portray genre conventions of rap, through the editing of the video, not just in cinematography and Mise-en-scene. A lot of rap music videos like to manipulate the colour of the video, for very short amounts of time. I don't know what the exact reasoning behind this is, but it could portray a darker, more complex side to the artists that the spectator can't see. Kodak Black and A$AP Mob both are constant users of these effects
Therefore, I choose to recreate these genre conventions through editing, so spectators get a rap genre atmosphere, but to also create artistic messages about the artist, that can be seen in the digipak and the advert. We decided to do this, as we thought that there should be a dark and light side to the artist. This can relate to the Advert, as we use a cross (religious symbol) which is painted black, as well as birds which represent freedom. We wanted to interpret Richard Dyers star theory into the video, as we are constructing our stars image in each of the ancillary texts so we can appeal to a wider audience. I managed to create this effect by using using a colour reducer, and selecting and changing different colours.
I also wanted to follow genre conventions by changing the speed of the video, as well as reversing clips to create unique effects. For example, I reversed a clip of Callum (the artist) walking down a set of steps. The Weeknd, Rae Sremmurd and Future plus many more slow down or even reverse some of their clips.
We also wanted the screen to shrink throughout a tracking shot of Callum leaving the comic store. We decided to do this, as it increases the range of editing techniques we used for the video, but also it matched the tempo of the song, as this section of the song contained a subtle piano playing in the background, so we decided to shrink the screen each time the piano could be heard.
I completed this by using the blade tool, and separating the whole clip into individual parts so I could gradually crop down the video in the settings menu. As you can see below, I had to crop down each size equally, and increase the amount cropped by five for each sequence. This created an effect which made the video appear to get smaller and smaller in size each time.
However, it took a while to get use to Final Cut, as the previous years I had been working with iMovie, which is designed and structured completely differently to Final Cut. This was very inefficient, as it meant that a couple hours was lost in productivity, due to being educated on the software. On the other hand, this did enhance the quality, as I was able to use the programme without little issues and setbacks.
Lip Syncing
Lip syncing was another obstacle I had to get around. When receiving feedback from our pre-lim music video, one of they key aspects we had to improve was the lip syncing. Lucky for us, Final Cut has a smooth and quick process for lip syncing.Audio Pitch |
Video Transitions
We also wanted to choose a variety of different transitions, to keep the video interesting for the spectators, as we realised that straight cuts were extremely bland after being used excessively. We also wanted to create a point of view shot, where we had the camera looking up at the sky in a spinning motion. To do this, we had to use a dissolve transition which faded to black, to signify someone blinking. We wanted to do this to express how lost and confused the artist is, due to not having any role models so, the spinning motion creates a sickening visceral effect on the viewer which puts them in the perspective of the artist. This also helps create a preferred response (Lyotards narrative theory) as the spectator feels how we have manipulated them to feel.